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Opener “Something in Your Mouth” is just as trashy Kroeger serenades a woman by telling her she “looks so much cuter / with something in (her) mouth.” Not even the southern-fried, Pantera-influenced guitar work can save the track. Lines like “Sex is never a question / It’s always the answer” and “No is just a thought / That never crosses my mind” are tinged with a kind of creepy, date-rapist misogyny. What else could explain a song title like “S.E.X.”? While the sub-Metallica riffs are harmless enough, the lyrics are far from sexy. Kroeger’s project on Dark Horse is to convince his audience he’s a stone-cold badass whose favorite hobbies include drinking and fucking. Where the band once would have placed an earnest blue-collar narrative, they grope for “balls out” (in their words) party anthems and sex boasts. Lead singer Chad Kroeger might not be old enough to have a mid-life crisis, but now would be the perfect time for a mid-career crisis. It’s a sign of neurosis - the whole affair reeks of desperation. The main difference is in the production: The band’s use of busy, dance-floor-ready hi-hats lends several tracks a bubblegum-pop flavor. Musically, this album isn’t any worse than the band’s previous efforts. Does Nickelback truly deserve the reputation it has earned? After the release of Dark Horse, it’s hard to say no.
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Though the band has found great success on the Billboard charts, they’re treated as something of a joke by more elitist music enthusiasts and journalists.
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The Canadian power-grunge hit-makers have been repeatedly lambasted for recycling chord structures and lyrical themes. And if it would rather focus on the Guccis than on their titular house, none of the them truly register as real people the beats of Maurizio and Patrizia’s relationship all play like a soap opera about the miserably wealthy, and Pacino’s and Irons’ caricature-like performances create so much distance that it’s impossible to care about the dissolution of their dynasty.Nickelback has become something of a dirty word among music snobs.
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Apart from the occasional discussion of mall stores or bootleg merchandise, the movie never seems particularly interested in how a fashion house works or why the company made itself ripe for takeover, apart from Maurizio’s lavish spending habits. Even as they take liberties with the timeline - Maurizio and Patrizia married in 1972 they had two daughters, not one - there’s not all that much narrative drive. Screenwriters Becky Johnston (“Seven Years in Tibet”) and Roberto Bentivegna, working from the book by Sara Gay Forden, somehow turn couture, wealth and murder into something quite plodding. So when Patrizia’s psychic advisor Pina (Salma Hayek, who definitely understands what movie she’s in) recommends a couple of hit men, and De Sole brings in designer Tom Ford (Reeve Carney, “Penny Dreadful”) to shake up the house’s stodgy image, the House of Gucci will find itself in the hands of new landlords. Lady Gaga Reveals Her Biden Inauguration Gown Was BulletproofĪs a shark herself, Patrizia can tell that family consigliere Domenico De Sole (Jack Huston) is up to no good, but she’s got troubles of her own when Maurizio leaves her and their daughter so he can move in with mistress Paola Franchi (Camille Cottin, “Stillwater”). (Aldo and Rodolfo each own 50% of Gucci, which eventually becomes a major plot point.) Maurizio goes to work for Patrizia’s father - the film strongly intimates his trucking company is deeply mob-connected - but after Rodolfo dies, Maurizio inherits his half of the business, setting off internecine struggles for power. Maurizio calls Rodolfo’s bluff and marries her anyway, retaining his uncle Aldo (Pacino) as an ally. Maurizio’s father Rodolfo (Irons) senses that the young woman is a gold digger and threatens to cut off his son should he marry her. But when she learns his last name, Patrizia goes in for the kill, “accidentally” running into the law student the next day and eventually bowling over the shy heir with her affections. He’s hiding from the dance floor, and she initially mistakes him for a bartender. We jump from the morning that Maurizio Gucci (Driver) is murdered back to the day when he meets Patrizia Reggiani (Lady Gaga) at a disco party in 1978. Lady Gaga Goes Gucci in New ‘House of Gucci’ Trailer (Video)